The beauty in what we see: Most Cinematic Frames from Hindi Cinema
Eventually, I think cinematography for every culture is a way to explore different stories, different ways of also delivering a story. – Violante Placido
Cinematography is one such element of cinema that often goes unnoticed but is actually the most important component of a film. And there are some directors who give their best to come up with the best to make every short of the film, a worthwhile glance. While Indian Cinema is vast, spotting the best of all is impossible, but here is one of the most cinematic frames from Hindi Cinema.
30 Most Cinematic Frames from Indian Cinema
PYAASA
Director – Guru Dutt
Cinematographer – V. K. Murthy
RANG DE BASANTI
Director – Rakeysh Omprakash Mehra
Cinematographer – Binod Pradhan
TAMASHA
Director – Imtiyaz Ali
Cinematographer – Ravi Varman
BARFI!
Director – Anurag Basu
Cinematographer – Ravi Varman
MASAAN
Director – Neeraj Ghaywan
Cinematographer – Avinash Arun
SAIRAT
Director – Nagraj Manjule
Cinematographer – Sudhakar Reddy Yakkanti
SHIP OF THESEUS
Director – Anand Gandhi
Cinematographer – Pankaj Kumar
Read More: From Yogi to Rana: How Irrfan Khan redefined the ‘Right Guy’?
DEV D
Director – Anurag Kashyap
Cinematographer – Rajeev Ravi
ZINDAGI NA MILEGI DOOBARA
Director – Zoya Akhtar
Cinematographer – Carlos Catalán
TUMBAAD
Director – Anand Gandhi
Cinematographer – Pankaj Kumar
BAJIRAO MASTANI
Director – Sanjay Leela Bhansali
Cinematography – Sudeep Chatterjee
GULLY BOY
Director – Zoya Akhtar
Cinematography – Jay Oza
DIL CHAHTA HAI
Director – Zoya Akhtar
Cinematographer – Ravi K. Chandran
JODHA AKBAR
Director – Ashutosh Gowariker
Cinematographer – Kiran Deohans
PADMAVATT
Director – Sanjay Leela Bhansali
Cinematographer – Sudeep Chatterjee
So, these are the best stills from one of the very favourite Hindi films. Let us know which other stills should be added in this list.
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